January 2011
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ctrlsave:
Falling Lights by Troika
December 2010
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controlled with processing
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got a launchpad recently and found sometime to play with it.
November 2010
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pmp@zaobao →
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Featured on Lianhe Zaobao
PMP is proud( and a little paiseh) to be featured on today ( tuesday )’s Lianhe Zaobao as one of the upcoming arts collective in Singapore. For those of you who can read chinese, here are the extracts!
Ps : Ivan Lee is not Lee Jian Cheng but Lee Jian Da
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Performance @ Kizuki+LIM Opening Party
We did an audiovisual performance for Kizuki+LIM’s opening party on the 31st of October. This time round we did a mapping piece on kizuki’s very unique and awesome wall which is full of geometrical goodness.
Actually our initial plan was not to project on this wall , we had this grand plan of projecting on this huge ass geometrical structure made up of “kizuki” letters...
October 2010
4 posts
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M1 Singapore Fringe Festival
Dear Friends, First I would like to apologize for the lack of updates. While we had vj jobs every now and then, we have not had time to work on any side projects due to our personal work commitment. We tend to curate our own updates and only post things that we are kind of happy with. Some of you guys might have known that today is the official launch of the M1 Singapore Fringe Festival ‘11...
July 2010
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Online, Generative Tool Searches for the Perfect...
This demo, via Torley, takes at Sonic Charge Patternarium, a new site that lets you help “evolve” beats, by using a social media voting mechanism.
The site creates beats algorithmically and then they “evolve” to survive:
Our servers are regularly spawning new generations of a thousand unique patterns, each one being the cross product of two other patterns picked at random. The higher votes...
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purestform:
OTTO is a new musical instrument for beat-slicing, the technique that allows to create complex and variegated rhythm sections by using just one rhythmic audio sample, cutting it into little pieces and rearranging them in time. OTTO provides a hardware solution with a strong visual feedback, to allow the musician to control the audio sample as if it was in his hands.
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